从纽马克翻译理论视角看《琵琶行》的美感重现——对比浅析许渊冲、威特·宾纳的两英译本_OpenScirbe Publishing

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Home > Wen Yuan (Primary School Edition) > 2021 No.12 > 从纽马克翻译理论视角看《琵琶行》的美感重现——对比浅析许渊冲、威特·宾纳的两英译本

从纽马克翻译理论视角看《琵琶行》的美感重现——对比浅析许渊冲、威特·宾纳的两英译本

Author(s)：
王子炫李亦哲

Publication Title：

Wen Yuan (Primary School Edition) 2021 No.12

Affiliations：
河北传媒学院河北石家庄 050000

Abstract：
古典诗歌是中国文学中的最高形式，表达上最凝练精巧，文字和语意最具美感，因此翻译难度最大。许渊冲译本（1992年译）和Witter Bynner译本（1929年译）对再现诗歌原意都做了不同的努力，都达成了翻译的第一步——忠实。但许渊冲在“三美”翻译理论指导下，更好地再现了原诗的意境和气质，带给读者美的享受。这一方面宾纳由于缺乏对中华文化全面深刻地了解，译文相对而言有些欠缺。本文从纽马克翻译理论视角，对比分析许渊冲和宾纳的《琵琶行》英译本，探讨其对原作美感的还原，在此基础上展开初步比较研究。

Keywords：
《琵琶行》；语义翻译；交际翻译；美感重现

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[1] 王子炫,李亦哲.从纽马克翻译理论视角看《琵琶行》的美感重现——对比浅析许渊冲、威特·宾纳的两英译本[J].Wen Yuan (Primary School Edition),2021(12),.

文渊(小学版)

Wen Yuan (Primary School Edition)

Language: 中文

CN：11-9274/G

ISSN：2096-6261

Publication Frequency: 月刊

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