演员避免成为“台词的奴隶”的有效手段_OpenScirbe Publishing

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演员避免成为“台词的奴隶”的有效手段

Author(s)：
樊祥鑫

Publication Title：

Wen Yuan (Middle School Edition) 2020 No.08

Affiliations：
北京电影学院北京 100088

Abstract：
在当今的影视剧、话剧中还遍地存在着这样的现象：演员为了完成说台词的既定任务而死记硬背台词，任由“台词”摆布“，成为其奴隶，从而丧失了演员作为创作者的主观能动性，继而忽视了语言艺术的魅力和重要性。本文就一名合格的、优秀的演员如何避免成为“台词的奴隶”展开讨论，从三个效手段“其一，杜绝死记硬背，养成理解式记忆的习惯；其二，准确找到台词的言语动作，使台词成为真正动作的手段；其三，聆听并接受对手的台词，从而掌握刺激点和反应点。”具体阐述这一实际问题。

Keywords：
表演；台词；言语动作；聆听

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[1] 樊祥鑫.演员避免成为“台词的奴隶”的有效手段[J].Wen Yuan (Middle School Edition),2020(08),.

文渊(中学版)

Wen Yuan (Middle School Edition)

Language: 中文

CN：11-9275/G

ISSN：2096-627X

Publication Frequency: 月刊

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